18 291 безплатни аудиофайлове за "Midi Files Of Musical Scales In C Sharp"

*10 steps in 13-et on C = ??. Equal-tempered: 210/13:1 = 923.08 cents. MIDI pitch bend: 49,71

*2 steps in 23 equal temperament on C = ??. Equal-tempered: 22/23:1 = 104.35 cents. MIDI pitch bend: 50,65

*26 steps in 31-et on C = ?. Equal-tempered: 226/31:1 = 1006.45 cents. MIDI pitch bend: 8,66

*Alpha scale minor third on C. (3 : 2)4/9 : 1 = 311.98 cents. MIDI pitch bend: 107,67 MIDI pitch bend on 108,67 for 312 cents

*2 steps in 13 equal temperament on C = ??. Equal-tempered: 22/13:1 = 184.62 cents. MIDI pitch bend: 9,59

*Gamma scale neutral third on C. (3 : 2)10/20 : 1 = 351 cents. Created by Hyacinth (talk) 08:49, 25 November 2010 using Sibelius 5.

*10 steps in 11-et on C = ??. Equal-tempered: 210/11:1 = 1090.91 cents. MIDI pitch bend: 11,61

*2 steps in 11 equal temperament on C on C = ??. Equal-tempered: 22/11:1 = 218.18 cents. MIDI pitch bend: 104,69

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Chopin - Nokturn Fis-dur op. 15 nr 2Chopin - Nocturne in F sharp major, Op. 15, no. 2

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

*Sixty-seventh harmonic on C = ?. Just: 67/64 = 79.31 cents. Limit: 67-limit. MIDI pitch bend: 49,89 on PU

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

*1 step in 11 equal temperament on C. Equal-tempered: 22/22:1 = 109.09 cents. MIDI pitch bend: 116,66

*26 steps in 72 equal temperament on C. Equal-tempered: 226/72=13/36:1 = 433.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 434.375 cents rather than 433.342. New version a M3 on 85,74 for 433.3251953125 cents rather than 433.342.

*22 steps in 72 equal temperament on C. Equal-tempered: 222/72=11/36:1 = 366.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 365.625 cents rather than 366.674. New version a m3 on 42,85 for 366.6503906250 cents rather than 366.674.

*1 step in 36 equal temperament/6th tone on C. Equal-tempered: 22/72:1 = 33.33 cents. MIDI pitch bend: 85,74

*2 steps in 7-et on C. Equal-tempered: 22:7:1 = 342.86 cents. MIDI pitch bend: 91,77

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

*1 step in 7-et on C. Equal-tempered: 21/7:1 = 171.43 cents. MIDI pitch bend: 110,54

Harmonic Scale chromatic on C.

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

D Eb C B = D S C H = Dmitri Schostakovich.

*1849th harmonic (H43/H43) on C = B♭-. Just: 1849/1024 = 1023.04 cents. Limit: 43-limit. MIDI pitch bend: 47,71

*2197th harmonic on C = D-. Just: 2197/2048 = 121.58 cents. Limit: 13-limit. MIDI pitch bend: 116,70

*1073rd harmonic on C = C♯+. Just: 1073/1024 = 80.92 cents. Limit: 37-limit. MIDI pitch bend: 114,57

*1369th harmonic on C = E+. Just: 1369/1024 = 502.69 cents. Limit: 37-limit. MIDI pitch bend: 110,64

*1147th harmonic on C = C+. Just: 1147/1024 = 196.38 cents. Limit: 37-limit. MIDI pitch bend: 107,94 on m2

*1025th harmonic on C = B♯. Just: 1025/1024 = 1.69 cents. Limit: 41-limit. MIDI pitch bend: 69,64

*Euler's number (e) on C. e/2 = 2.71828/2 = 531.23 cents. MIDI pitch bend: 127,73

Alpha scale harmonic seventh chord on C. MIDI pitch bend matches intervals.

*Euler's number (e) on C. 2.71828 : 1 = 1731.23 cents. MIDI pitch bend: 127,73

*Quarter-comma meantone minor third on C. 6:5÷(81:80)1/4 = 310.26 cents.

Janacek Sinfonietta 2nd movement, opening bars

Scarlatti Sonata K319, bars 62-80, octatonic descending bassline

*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. Limit: 3-limit.

Ab-over-A slash chord.

G7alt chord.

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

Augmented triad on D.

*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none

Viennese trichord as dominant. Created by Hyacinth (talk) 21:31, 4 July 2010 using Sibelius 5.

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

Tritone substitution and altered chord as, "nearly identical". Chords: C7, F♯7, and C7 +9 +5: Root 3rd 5th 7th 9th 11th 13th C

Diminished triad on B, as MIDI

*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Barbershop bell chord. Pitch bend matches just intervals.